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Recital at the Amphitheater of the National Opera of Lyon

Respect silences, play without feverishness, at the rhythm which was undoubtedly that of the improvisation briefly noted, to be strong and fragile, to feel the lights which change, it is to be Mozartian-solitary. And for the Rondo K.511, this is what at the edge of a concert in the basement (the black amphitheater of the Opera) Sarah Lavaud can not impose – she is too nuanced – but suggest .